Monument Valley

Red Rock Country

Red Rock Country

May 2018

Last August my husband Mike and I made a lengthy road trip (read about it here) from Arizona to Wyoming to view the total solar eclipse. On our way home we chose a route that took us through the spectacular red rock country of Utah and Northern Arizona. This is a vast and stunning region of arches, towering buttes, red rock canyons and forested plateaus. Glympses of thousands of years of history can still be appreciated in the remnants of cliff dwellings, historic hogans, and rock art. Petroglyphs dating as far back as 13,000 years actually depict images of mastodons.

As we approached Monument Valley in the vicinity of Mexican Hat, Utah, (that’s a town, as well as a rock formation) the scenery was so captivating that every 100 yards or so I was begging Mike (who was driving) to pull off the highway so I could photograph another beautiful vista. It was monsoon season and the skies were dramatic as well. Dust devils were spinning across the desert floor, while virga clouds adopted the colors of a sunset sky, creating pink rain.

Fast forward nine months to when the opportunity arose to join a night photography workshop in Valley of the Gods, another astoundingly scenic valley not far from Monument Valley, I signed up immediately and even talked Mike into joining me just for the opportunity to enjoy night skies free of light pollution.

We stayed in the tiny town of Bluff, Utah – population 258! But the town has turned into a destination for artists and has much to offer; a wonderful hotel, several excellent restaurants, trading posts and galleries featuring beautiful Navajo art. A historic fort is open to visitors for free, and tells the fascinating story of Bluff’s founding in the late 1800s by the determined Hole in the Rock Mormon pioneers who literally carved out a trail through impassable terrain to first settle the area.

Bluff is the perfect basecamp from which to launch explorations of the many unique destinations in the area. Float trips down the San Juan River start in nearby Sand Island Recreation Area. The 17-Mile dirt road that loops through Valley of the Gods is just minutes away, as is Goosenecks State Park where the meandering river has carved a winding double loop canyon 1,000 feet deep with steeply terraced walls that reveal 300 million years of geological history. Less than an hour’s drive south is the approach to Monument Valley. Moab and Natural Bridges Monument is nearby. And Bluff is the gateway to scenic and historic Bears Ears National Monument, culturally significant to multiple Native American tribes, and now sadly being decimated by the current administration in favor of mining and drilling.

Night photography is necessarily related to sleep deprivation. Each night we headed out around 10 or 11 pm depending on our destination, and we stumbled back to our hotel room beds somewhere around 4 a.m. But when actually out in the field under the vast starlit sky, coping with cameras and tripods in the dark on rough ground, the adrenalin kicked in and the hours passed in a blur. A few hours of sleep were refreshing enough to tackle the computer and the necessary post-processing to make the technically challenging images come to life.

And without further ado, I invite you to enjoy my gallery of Red Rock images. These will be uploaded to my online store in the future, but for now this gallery is for your viewing pleasure only.

Click HERE or on the photo to open Gallery Slideshow

 

 

 

 

 

 

 

 

 

 

Ahéheé (Navajo for ‘thank you’)

 

 

Posted by Carol in USA, Utah
Total Solar Eclipse Road Trip

Total Solar Eclipse Road Trip

August 2017

Of course the total solar eclipse in August was on our bucket list! I elected not to attempt to photograph the main event – that’s a technical challenge better left to more accomplished photographers than I. Considering this once-in-a-lifetime experience of 100% totality would only last 2 1/2 minutes max, I really wanted to absorb the experience without fiddling with camera settings.

But the eclipse was a good excuse to embark on an epic road trip through the Southwest, affording me an opportunity to record some spectacular scenery. From Tucson we drove through the Salt River Canyon up to the White Mountains, and from there traveled through the Petrified Forest and the Painted Desert en route to Gallup, New Mexico. I was booking our lodging on the fly, utilizing TripAdvisor on my iPhone en route, and our first night out we stumbled across an unexpectedly wonderful historic hotel in Gallup, New Mexico, on the old Route 66 but just a stone’s throw from the Interstate. Back in the 30s and 40s all the movie stars (John Wayne, Katharine Hepburn, Spencer Tracy, Ronald Reagan to name a few) stayed at El Rancho Hotel. Our room for the night was named after Lee Remick. The ambience and nostalgic memorabilia were a treat to experience.

From Gallup we headed to Santa Fe, detouring to explore the cliff dwellings and petroglyphs of El Morro and Bandolier National Monuments. Santa Fe is always fabulous and we spent an extra day there, visiting a friend and enjoying a superb dinner at one of the town’s finest restaurants. Then on to Taos, followed by a long stretch of highway to our final destination in North Platte, Nebraska, where we joined an international group of eclipse watchers for the big event. Except – having arrived, the weather turned sour, with cloud cover forecast over the entire state of Nebraska on the day of the eclipse. With looming grey skies as well as predictions of massive traffic jams, Mike and I did a quick regroup and abandoned our tour after one day and headed west towards clearer skies forecast for Wyoming.

We drove some 500 plus miles that day and of course there was not a prayer of booking a last minute hotel room within 100 miles of the path of totality! Instead we found a sod farm that was offering overnight parking on the perimeter of their beautiful green grass. The main selling point was the row of porta-potties installed for the convenience of their guests. So for $100 we parked our Jeep by the field, spent $20 more for hamburgers from the grill, and then we settled into the front seat with pillows and blankets picked up at a local Walmart, and spent the night in the car.

Next morning we headed off at dawn to Glendo State Park in Wyoming where we connected with a group from the University of Arizona’s Space Grant Program, associates of Mike’s from work. They were participating in a balloon based experiment and were set up in a prime campsite within the park. Our friends met us at the entrance of the by now crowded park and ferried us in – enabling us to enjoy a spectacular and unobstructed view of the eclipse in 100% totality. Exiting the park at the end of the day was another story – it took nearly 3 hours to drive 3 miles back to the entrance. From there the Interstate 25 was crawling with traffic back to Denver, but fortunately we were headed in the opposite direction. We overnighted in Casper, Wyoming, where a room at the Days Inn cost more $$$$ than a night at a luxury hotel in Santa Fe had cost us the week before!

Heading home from Wyoming we took our time through the spectacular red rock country on the border of Utah and Arizona. Looking at the amazing colors and layers of the landscape, it is easy to see how Native American designs in pottery and blankets were inspired by the geology of this part of the country. Poor Mike, who was driving, was constantly being ordered to pull over to the side of the road so I could photograph another epic scene.

We spent a couple of nights in Monument Valley, first at Gouldings, another historic hotel with ties to the movie industry, and then at a fabulous modern hotel named The View, operated by the Navajo Nation, with every room offering a balcony and unobstructed view of Monument Valley in all its vast glory. We hired a Navajo guide to take us out for both a sunrise photography tour as well as a starlight tour of the park. My night photography results weren’t as consistent as in Maine and I only got a couple of shots that satisfied me – it’s really hard to lock critical focus on a distant star in the dark with aging eyesight! But I love the one shot that I did manage to pull off – and, again, spending hours under the starlit skies with only nature for company was well worth the experience.

From there it was straight home, a surprisingly quick 6 hour drive. We immediately went on a spree of binge-watching a trilogy of old John Wayne movies filmed in the red rock country of Monument Valley. I’m already making plans to return in 2018.

Slideshow:
[envira-gallery id=”9147″]

Posted by Carol in Arizona, Utah
Navajo Pony After A Dust Storm

Navajo Pony After A Dust Storm

 

True to the adage that one seldom explores one’s own backyard, I have lived in Arizona since 1958 and never once visited spectacular Monument Valley on the Arizona/Utah border. In 2012 that changed when I joined a photo workshop with like-minded photographers, and spent a week touring the highlights of this unique and beautiful area. On arrival we were hit with the frustrating realization that we were hard on the heels of massive dust storm that obliterated light and turned the sky yellow with blowing sand.

Not only did this compromise the scenery we hoped to photograph, it created a challenge for the camera gear which is easily damaged by the invasive grit. Changing lenses in the field was a recipe for disaster; the best solution was to carry two cameras each configured for different shooting scenarios.

A few days later the dust settled, the sky turned blue, and we discovered that the dunes had been swept clean into freshly rippled contours, a silver lining after all. Meanwhile I captured this image of a Navajo pony on the rez, haircoat embedded with red desert sand and eyes squinted against the blowing grit. I like his rough presence, bold shadow and the iconic landscape on the horizon.

Navajo Pony After A Dust Storm prints are available for purchase HERE

Nikon D3S, 1/750 sec at f/5.6, ISO 200, 44 mm (28.0-300.00 mm f/3.5-5.6 lens).

Photo is copyrighted and registered with the U.S. Copyright Office. Please respect.

 

 

Posted by Carol in Arizona, USA
Southwest Excellent Adventure

Southwest Excellent Adventure

Full Screen Slide Show

Welcome to my newly resurrected photography blog.  I’ve decided to expand my journaling efforts to include a photo specific website in addition to The AVATAR Logs. My last photography post was nearly three years ago! A lot of digital film has passed through my camera in that time, so the first posts will play catch up – casually perusing past images before moving on to current events.

I considered posting straight into The AVATAR Logs blog but decided instead to publish both in parallel with each linking to the other.  Hopefully it will be easy to navigate back and forth between the two seamlessly.  When we are cruising, posting to The AVATAR Logs will take priority. When land-based, CBParkerPhoto will take the lead.

If you are on my notification list for The AVATAR Logs, you will also be sent notices when I post to CBParkerPhoto.  Feel free to contact me if you wish to opt out.  Mostly I use these blogs to stay in touch with friends and share adventures in  a visual way, so I hope you will continue to enjoy the expanded content.

For starters I’ll reminisce about a wonderful week in early April in the Four Corners area of the desert southwest. I joined Laurie Excell again for one of her Excellent Adventures – this time a tour of Monument Valley in Utah and the Slot Canyons in Arizona. Laurie asked me to write a post for her own blog, so I’m republishing the content here along with a few favorite photos from the trip.

You can read the original post on Laurie’s website here, but it is reproduced in full below:

I’ve lived in Tucson for decades and true to the cliché that one never explores one’s own backyard, I had never spent time in the spectacular surroundings of the Four Corners area of the southwest. Having already enjoyed previous Excellent Adventures with Laurie (Bosque, Katmai) I was feeling the need for a photo workshop “fix” – a chance to chase pixels with like-minded enthusiasts. During a workshop we are all in pursuit of the same goal. The nit-picky details have already been prearranged, enabling us to focus strictly on our photography. The itinerary has been fine-tuned to take best advantage of the allotted time; the ho-hum details of car, lodging and meals have already been handled; knowledgable local guides have been booked in advance to take us off the beaten track and open the doors to a more unique experience.

In college my art instructor once commented that the creation of a painting becomes a souvenir of time and place for the artist. That thought struck a chord that has stayed with me through the years and applies equally to the images we are making. Why am I doing this, anyway? Does the world really need another photograph of The Mittens in Monument Valley or the rays of light in Upper Antelope Canyon? Surely images of these subjects have been recorded in the tens of thousands over the years and by better photographers than I. Why not just purchase a postcard or a coffee table book at the gift shop to remember my visit to the desert southwest?

But the photograph that I take myself has an entirely different significance to me than those commercial images. In the process of pursuing another worthy photo to add to my collection, the entire experience of its creation is imprinted on my brain. It is not just the snapping of the shutter – it is the process of working the subject that makes it my own. Months later one glance at the finished image and the adventure leaps to life.

– Camaraderie in the back seat of a rented Suburban with new acquaintances sharing the same passion…

– And the same frustration of arriving in Monument Valley during a sandstorm that obliterates sky and light…

Nikon D4, AF-S 28-300mm VR

– Followed by the revelation a day or two later that this same sandstorm has refreshed the dunes and made them pristine for our lenses!

Nikon D4, AF-S 28-300mm VR

– Friendly Navajo ponies with their eyes squinted shut against the blowing grit…

Nikon D3S, AF-S 28-300mm VR

– Lurching in four-wheel drive through the rough back country to access remote locations…

Nikon D4, AF-S 28-300mm VR

– Photographing the Milky Way from the hotel balcony while asleep in a comfortable bed…

Nikon D3, AF-S 14-24mm 2.8

– Trudging through the desert on a moonlit night lugging 30 pounds of equipment on my back because I’m afraid of leaving behind that one essential bit of equipment needed to shoot the night sky…

Nikon D3, AF-S 14-24mm 2.8

– Cold fingertips on a brisk morning waiting to capture a starburst of the sun rising over The Mittens…

Nikon D4, AF-S 28-300mm VR

– Our Navajo guide Lionel (a photographer in his own right) opening locked gates to ‘the Rez’ after hours to shoot Upper Antelope by starlight with not a single tourist in the vicinity…

Nikon D4, AF-S 24-120mm f4 VR

– Gingerly setting up my tripod at the edge of a precipice to capture the curve of Horseshoe Bend in its entirety…

Nikon D4, AF-S 14-24mm 2.8

– Climbing up (and down) Home Depot ladders and squeezing our gear (and ourselves) through the narrow passages of Rattlesnake Canyon and the satisfaction of zeroing in on rhythm and pattern encapsulated in the overwhelming maze of the slot canyons…

Nikon D3S, AF-S 14-24mm 2.8

– And the sweeping vistas and play of light and shadow as the sun set on the last day of our most excellent adventure…

Nikon D4, AF-S 24-120mm f4 VR

Posted by Carol in Arizona, USA, Utah